March 7, 2005

Hip-Hop Activists' Response to Al Sharpton

Davey D has released a letter in response to Al Sharpton, on behalf of all the hip-hop activists already addressing these issues:

Now Sharpton Wants to Jump In - What's the Hustle?
Hip Hop Activists Respond...

by Davey D

Today the NY Daily News ran an article about the Reverend Al Sharpton wanting to write letters to the FCC and call for a 90 day ban on 'gangsta rap' and anything that reeks of violence and has the potential to spill out in the streets.

This sounds good on the surface and considering what took place last week at Hot 97 in New York it sounds damn near practical... But there's always a catch and a behind the scenes story to the one being sold to us...

First we have to ask ourselves where Sharpton was over the past few years when these media reform campaigns were first conducted, the most prominent being the �Turn off the Radio Campaign' that was launched and supported by community activists Bob Law, the December 12th Movement, Chuck D of Public Enemy, dead prez, The Zulu Nation and numerous others community organizations in New York.

A huge tribunal featuring a number of NY City Council members, artists ranging from Hip Hop luminaries like Stetsasonic, Public Enemy and Afrika Bambaataa to legendary R&B crooners Ray, Goodman and Brown who filled a church on Madison Avenue in Harlem in January of 2003 to address the important issue of how Black folks were being depicted in media outlets serving New York.

There were at least a 1000 people in attendance and the tribunal went on for at least 5 hours with community member after community member speaking and airing out their grievances. Sharpton was no where to be seen. Nor was he around to lend his considerable clout in the months that followed when Law worked tirelessly to get this campaign off the ground. Sharpton was not around when the Turn off the Radio Campaign sparked off in other cities like Kansas City, and Cleveland to name a few. Sharpton was no where to be seen when similar efforts were launched in places like Detroit (Black Out Fridays), Seattle, Chicago and most recently Miami.

Sharpton was absent from the fight when the huge media reform campaign called the 'People's Station Campaign' sparked off in San Francisco. Here members of the Hip Hop community including artists and numerous organizations got together monitored the Clear Channel owned Urban Music stations in the area and issued a report to the community and various media outlets. The efforts not only forced change on the big Urban giants KMEL and KYLD, but it was the subject of numerous media stories including a huge front page story penned by author Jeff Chang on front of the Bay Guardian.

Many of the issues that Turn off the Radio campaign as well as the other efforts around the country, were similar to the ones raised by the coalition that protested against Hot 97 last Friday at Union Square Park. People have grown tired of the racist remarks directed at the communities of color this station serves. They were tired of the type of degrading music that is constantly being pumped. The recent shooting in front of Hot 97 involving 50 Cent and Game's entourage was just icing on the cake for the momentum that had already been brewing within the Hip Hop community.

Hopefully people do not forget that what was the real catalyst behind Friday's March 4th protest was the insidious, racist Tsunami song that Hot 97's executives allowed Miss Jones and her morning crew to put on the air. Initial complaints to the station were ignored and dismissed until websites like Okayplayer.com owned by the Grammy Award winning Hip Hop band the Roots and WBAI DJ Jay Smooth and his blog HipHopmusic.com alerted their readers what was going on.

This in turn sparked more people to come forth as Smooth, Okayplayer and other Hip Hop oriented websites began chronicling the tireless efforts of organizers with the Asian and Southeast Asian communities that had now taken up the fight against Hot 97. Because of the similarities and concerns raised in previous efforts, folks from all backgrounds were able to come together and re-address the grievances at Hot 97.

Again Sharpton was absent. During the whole Anti-Asian Tsunami incident there were no headline making statements from Sharpton about media reform or restraint. He was absent from this highly publicized fight. No phone calls, no letters, no nothing. He didn't even come to the first protest at Hot 97 which was attended by City councilmen Charles Barron and John Liu who helped organized this effort along with Asian Media Watch. He certainly wasn't at any of the planning meetings or any other media reform gathering.

In addition to all this, let's go back into time when the Turn Back the Radio efforts were underway and we had all these hearings about how many stations Radio station owners could have in a market, you did not see or hear Sharpton raising this issue. You certainly didn't see him at too many of the hearings. I know because we covered most of them on our airwaves at Pacifica and I spoke at three of them. (Monteray, Seattle and San Francisco)

So what's this all about? Why is Sharpton jumping in at the 12th hour? Is it because this is the hot topic of the day and he wants to be a part of it? Maybe… Maybe not. The media reform and media justice argument has been around for the past 3 years and have been hot topics. He could've ran to the bank with this during his Presidential campaign. But he didn't. He certainly never had any of the main Hip Hop activists who have been dealing with this from day one come on his Sunday night 3 hour radio show on WLIB which is now home to Air America. We spoke with Bob Law who let us know that not once did Sharpton ever help out with the widespread efforts behind this campaign.

So what's the motive behind Sharpton suddenly wanting to write the FCC and call for a ban on gangsta rap? Well, he's seems to be redirecting the argument back to the artists and away from the media owners and executives who are really responsible for giving them air time.

In the NY Daily news article, you don't see him calling them into question the role Jeff Smulyan, Rick Cummings and Barry Mayo who are executives at Emmis. You don't see him calling for a meeting with John Hogan, Steve Smith or Doc Winters who are key executives at Clear Channel. You don't see him calling on Cathy Hughes or Alfred Liggins or Mary Catherine Sneed (MC Sneed) who run things at Radio One. He covers his steps by saying, he doesn't wanna mediate between the artists and that this is a recurring problem, but he stops short of placing blame where it really belongs on the owners of these outlets. Many of them not only grant platforms to these artists but they also grant platforms to other activities that help promote beef like the infamous Smackfest where they have sistas from around the way smack each other for cash prizes. Everyone knows this hence the protests and objections over the past three years.

This is important to note, because folks who have been organizing around media reform are very clear that artists like 50 Cent and Game have to own up to the role they play in these conflicts, but this is bigger then them. This goes back to those who have final say so as to what gets aired and how they ultimately profit off of these divisions. So now we have Sharpton who has good working relationships with Kathy Hughes at Radio One and Barry Mayo the General Manager at Hot 97 coming to the rescue.

Sharpton was strangely silent and didn't shoot off letters to the FCC a few weeks ago when members of Game's entourage brutally beat a deejay (Xzulu) and hospitalized him after an interview they conducted on Radio One's WYKS in DC. He never asked for a 90 day ban when Radio One banned and then un-banned the Game's record from being played on the air. Industry insiders are wondering if pay for play tactics were behind that move.

Many see Sharpton's involvement as a subtle but soon to not be so subtle smoke screen to protect the attacks on his media buddies at these outlets. Today he's calling for ban. Tomorrow he'll start focusing on the artists and will do all that he can to downplay the role and responsibility of this executive friends at these stations. Who knows perhaps they will even grant him a weekly show so he can air out these important issues.

My point being is that what sort of ‘off the record' conversations has Sharpton been having with these folks that he has not been able to come forth and say something like 'I just got off the phone with Radio One and they agreed to do a 90 day ban, or I just spoke to Barry Mayo and convinced him to do an on air truce and dedicate a day to conflict resolution which is what Pittsburgh radio station WAMO did the other day. '.

One would hope and suspect that Sharpton had these conversations with them before making his announcement about going to the FCC. One has to wonder what's really going on? Did he speak to them and they told him 'No Way'? I find this hard to believe.

In the words of Public Enemy.. 'Don't Believe the Hype' and 'Can't Truss It' cause we aren't.

Posted by jsmooth995 at March 7, 2005 3:47 PM | TrackBack

Comments

good points raised.

Posted by: the crossfader at March 7, 2005 4:44 PM

Dag, wrong move. This letter, can only distract attention. Davey D and hiphop activists should engage Sharpton, not question his motives.

Where were hiphop activists during the 2003 general elections? Couldn't find them. Yet Sharpton's camp was on my block registering voters, like they have been doing every year. And feeding the hungry. And highlighting police violence (before Diallo!).

We can go back and forth like this forever, and what will it accomplish? Nothing. Let's keep focused.

Posted by: Hashim at March 7, 2005 8:16 PM

is this letter available online? Do you have a link?

Posted by: Hashim at March 7, 2005 8:23 PM

LOL at bringing Ray, Goodman and Brown into this. That's when you know the shit has hit the proverbial fan.

Posted by: Bol at March 8, 2005 12:05 AM

Anyone want to call the main man @ Emmis Communications Jeff Smulyan?? Here is his direct line: (317) 684.6530

His owns & runs Hot97 here in NYC. Give him a piece of your mind...since he won't answer or respond to anyones email. (I myself have sent him 5)

Peace & love...
...not Hate & ignorance

Posted by: Skillsion at March 8, 2005 8:20 AM

Better late than never. I respect Davey D and he's a good dude with valid points but damn at least Sharpton is now fighting the same fight. He's making an effort and that's way more than most of us can say, myself included.

Posted by: BCTW at March 8, 2005 10:18 AM

Instituting a ban on radio/video play will do nothing. It is a band aid solution and will not result in a change in the rap 'game.' The approach Sharpton is supporting is one that ignores the real problems. Radio play does contribute to the problems, but the fact that some rapper's lyrics are even being looked at is a more important issue. Radio/video play is just the surface of the entire problem. Gangster rap had its place in history, and now that time is over. When most of 50 Cent's record sales are occuring at walmart, we know gangstas aint buying the records. A huge part of the problem is the outside world's view of the rap community. When the only stories to make headlines are shootings and fights, people will label all of us criminals. Positive record labels like Rhymesayers, Project Blowed etc. need to be more in the open to show that hip hop does not equal violence. Artists like 50 Cent need to be dropped from labels, rather than just not played on air. Justice needs to be served in the hip hop community, so many emcees dead and no killers found? what the fuck?
Although Sharpton's intentions may be benevolent, a 90 day ban on radio play just means that in may/july: 50 will have a new album, with violence and insidious racialization and sexism, MTV will still play videos of girl's "shakin dat ass." and rich old white guys will be making money off of it.

Posted by: Ben at March 8, 2005 11:43 AM

Hasim, raised an excellent point. Engage Mr. Sharpton in some rhetoric regarding his decision to suddenly become involved in dangers of "gansta music".

You did a good job with Hot 97 incident and I think this site played an instrumental part in getting some serious media attention. Perhaps you can do the same with this incident (in a positive manner of course).

Faye

Posted by: Faye at March 8, 2005 12:20 PM

It's not wearth it to question Sharpton's intentions, as long as someone is fighting the good fight. He just needs to focus on who exactly he's fighting against. Obviously people are getting rich off this shit.

Posted by: Camille at March 8, 2005 1:35 PM

davey d i'm disappointed in you.

Posted by: nykool at March 8, 2005 6:35 PM

As always, Davey comes with it. These cats really are just pawns, the gatekeepers. Targeting them wouldn't be nearly as effective as going straight the great Oz himself.

Posted by: EncyclopediaBrown at March 8, 2005 8:08 PM

hmmm hot97 in the news again for their smackfest? i saw on the hannity and combs show a clip of it...two girls slapping each other.

Get rid of that station and miss jones

Posted by: respect at March 8, 2005 9:29 PM

rick cummings president of emmis is on hannity and combs....he's full of it.

Posted by: respect at March 8, 2005 9:34 PM

Something that Jay mentioned from jump that looks ignored by you all is that Rev. Al is sparking a new fire instead of fanning the flames of one that's already burning. He needs to collaborate with the movement that is already in place.

Posted by: P-Matik at March 8, 2005 10:48 PM

Sharpton is a fake. He has been paid to do this as just to keep a band aid on this issue and then people will forget. Where the fuck was he when HOT97 played that hate song over the airwaves........I hope that fake racist fuck gets hit by a truck one day.

Posted by: sharpton is a fake at March 9, 2005 12:29 AM

(From the Bahamas) Im really disappointed, rather than supporting Al Sharpton, regardless of his intentions, but being more concerned about the content and potential long term effects of violence in hiphop music, you guys decide to attack Al Sharpton. This is clearly the "Black Crag Syndrome"...where one blackman cant get ahead cause another blackman is busy pulling him down.

Of course Sharpton doesnt have all the answers, but its a damn good start.

All that i can say, is that it was a PROUD day for me as a West Indian, when my government placed on banned on B.E.T (Black Entertianment Television) from local cable listings and replaced with it with more afro-centric and pan-african programing. More cultural and native musics.

If ever you americans get tired of Al Sharpton, send him here to The Bahamas, where we as a country of 92% black majority rule, will embrace his desire to see the blackman restored.

Peace & Blessings

Posted by: Brother Tee at March 9, 2005 6:16 AM

"Black Crab Syndrome"...sorry for the spelling errors, its 6am, just crawling outta bed.

Posted by: Brother Tee at March 9, 2005 6:17 AM

Expression is often an enemy to these people. Fuck 'em.

Hip Hop was born in resistance.

Peace.
M.

Posted by: MK at March 9, 2005 8:01 AM

don't you get it? sharpton is friends with these people...

Posted by: hiphop at March 9, 2005 10:01 AM

> Sharpton is a fake. He has been paid to do this .... I hope that fake racist fuck gets hit by a truck one day.

WTF is with all the vitriol against Sharpton? How exactly is he racist? I agree with Hashim, Faye and BCTW. Now is the time to link up and fight together, not to question people's motives and agendas. Sharpton has made some questionable calls in the past but he's so far past that now that I have to question anyone who's still bringing that stuff up today when its clear he's been fighting an undeniably good fight for years now. Save that other bullsh-t for those who deserve it... like the entire Bush administration.

> rick cummings president of emmis is on hannity and combs....he's full of it.

Power 105's Star was killin' him this AM saying he was on Fox straight lying and that's why he wouldn't resign with Hot 97. That "Smackfest' sh-t was a total embarrassment, much more so than the "Tsunami Song" in my opinion. It was the equivalent of human cockfighting.

Posted by: ian at March 9, 2005 12:01 PM

Rick Cummings dont give a shit about hiphop...he even said it on air on Hannity and Colmes. I could careless if two black girls were slapping the shit out of each other for money...

Posted by: respect at March 9, 2005 12:54 PM

> "I could careless if two black girls were slapping the shit out of each other for money..."

He actually said that?!!! That's f-cking outrageous!

Posted by: ian at March 9, 2005 3:51 PM

sorry...he didnt actually say it in those terms. but prettymuch what i meant was he expressed he doesnt care or want to care or learn about the hiphop cumminity.

Posted by: respect at March 9, 2005 4:47 PM

Ian: I think that's what Davey and others are saying, that they wish Sharpton was doing just that, seeking to work with everyone else.. instead of ignoring the coalition and the activity that already formed about this, and acting unilaterally in a way that can only serve to negate or weaken those efforts.

Posted by: Jay Smooth at March 9, 2005 5:51 PM

This fucker always use the race card for anything and everything. He should get hit by a fuckin bulldozer.

Posted by: Sharpton is a cocksmooch at March 9, 2005 7:51 PM

i can't see how nobody can tell that a ban on "violent hip-hop" is bad and will be used in a racist manner! i too question sharpton's intentions, but more importantly, how will this help??? banning music is not "the good fight" anymore than banning baggy pants is the "good fight." have you all lost your minds? there were 16,000 murders in the US in 2003. they weren't caused by hiphop. we live in a violent society where our lives are treated as cheap. the US takes 18 year old kids and sends them across the world to kill. seriously, you have to look at the root of violence in society. banning hip hop is not getting at the root.

Posted by: mike at March 9, 2005 8:12 PM

As much as I love music, I have to say the hip hop industry reminds me alot of what used to happen in ancient Rome, when wealthy nobles would enslave poor men and force them to fight as gladiators for sport. It was an immensely lucrative trade - people would pay top dollar to be entertained by the wanton bloodshed, and as it progressed, gladiators sometimes even profited personally, gaining fame and wealth. But in the end they were still slaves, destined to die eventually in order to appease the grotesque system that created them, and only the wealthy at the top truly profited from it.

How much different is that from what happens today, where thugs and gang members are haplessly plucked off the streets, given million dollar recording contracts, and sucked into a system in which they become virtual slaves to the record labels that sign their contracts? This is even true of artist-owned labels, which are almost universally 50% owned by a major. The entire mess - the shootings, the headlining trials, the constant news attention - all serves as an extremely profitable form of entertainment, and those at the VERY top are laughing all the way to the bank. It shouldn't suprise you that every major black entertainment company, whether it's BET, Hot 97, any artist-owned label, is ultimately owned by a major corporation - 99 times out of 100, one owned or managed by whites. Not to take that issue farther than it needs to go, because I'm beyond all this white vs. black nonsense, but let's call it like it is - white capitalists are profiting tremendously from the violence, crime, hatred, and generally uncivilized behavior of blacks, and the million here or there that the artist might make is 1)pennies compared to what the record label makes and 2) not even a down payment on the ultimate harm it does to the black community.

However, just like any destructive system that thrives off of greed and capitalism, the solution to the problem lies with the consumer. If you don't buy, it won't sell, and no one will have any motivation to get involved. As long as someone will buy a gangsta rap CD, someone will make one, and someone will shoot another artist to increase his own sales, ESPECIALLY when using violence and hustling to get ahead is the story of that artist's life.

Finally, I want to say there is alot of positive music out there - artists who truly want to make music with their own flavor and not get caught up in all this other crap, and the consumer owes it to them not to let what they're doing be overshadowed by the disgusting system that's fattening these young black artists for the slaughter. Let's make it profitable to be an artist with something real to say and not make it more worthwhile to feed into the violence and crime that's been a part of hip hop music for far too long.

Posted by: Ron F at March 10, 2005 8:44 AM

Why do we have to compromise our values in order to "succeed?" Hip-hop figures are often "Uncle Toms" who pimp and strut and put down their own people to make a buck and entertain "The (white) Man." The music industry is exploiting young black artists, who in turn, are happy to sell Out for a ticket out of the ghetto, (although they continue acting out the "ghetto" mentality when they've reached "the top.") Why do the best beats have to be set to pornographic, violent lyrics? I've heard our people, in denial on this issue, claim: "Hey, I just like the beat..I don't really pay attention to the lyrics." This is not only a lie, but it fails as an excuse were it not. Of course you hear the lyrics. And if it's just lyrics vs. beat, wouldn't we still totally work it up in the club if the beat was jumpin and the lyrics weren't hate-chants? YES! We would still party. However, If the KKK set off some krazy beats to some racist lyrics, would you still shake your ass? We need to be willing to
take a stand. True artists should express their own truth. I totally feel you, if life has been hard and you have something authentic to say about it. But, I reject the inference that there is nothing else to express about working-class Black life besides ignorance, sex and violence. Black People do have ethics, right? Are we all lazy, looking for a hand-out or someone to use abuse and stick up 'cause we gots to get ours'? Nevertheless, many "artists" are from decent homes
pretending...FAKING to be pimps or gangsters in order to seem hip.

Posted by: The Rad at March 10, 2005 12:54 PM

Hot 97's landlord gets tough in wake of hip-hop shoot-'em-up

BY AUSTIN FENNER, ADAM NICHOLS and TRACY CONNOR
DAILY NEWS STAFF WRITERS

50 Cent

No more posses, says the Hot 97 building landlord.

Check your posse at the door.
That's the new order from Hot 97's furious landlord, which is cracking down on visiting hip-hop stars after last week's shoot-'em-up between 50 Cent and The Game's crews.

In an angry letter to the Manhattan broadcaster, the city's carpenters union, which owns the SoHo building, said artists will be allowed to bring only one person into the radio station with them.

The union also wants to know who is appearing on Hot 97 a week in advance so it can call in the cops, hire extra security or rent a metal detector if necessary.

"We are deeply concerned about the safety of our tenants and their employees," said union lawyer Brian O'Dwyer.

"We've received numerous complaints from other tenants that they fear for their safety."

The rules were sparked by the Feb. 28 shootout outside Hot 97 headquarters at 395 Hudson St. following interviews with rapper 50 Cent and his former prot�g� The Game.

Declaring Hot 97 in violation of its lease, the union gave the radio station until Friday to agree to the new rules, including the anti-posse clause.

The union noted that the gunplay was only "the latest in a series of extremely serious incidents."

In February 2001, bullets flew outside the building when the crews of Lil' Kim and rap duo Capone-N-Noreaga clashed following back-to-back appearances at the station.

A witness testifying at Kim's trial this week faulted the station for putting the battling stars on a collision course by booking them for the same day.

A year after the Lil' Kim incident, popular DJ Funkmaster Flex got into a scrape with rival host Steph Lova outside the station and eventually pleaded guilty to harassment.

The landlord said Hot 97 visitors have also harangued building security and blocked tenants from entering and leaving the building. The union wants the right to force some visitors to use a different entrance to the building - and the right to bar some celebrities altogether.

Employees who work in the building rallied behind the landlord yesterday - but were skeptical the new measures would keep the peace.

"They can't get rid of a rapper's entourage," said Marc Hsu, 30, of Manhattan, who works in human resources for a company in the same building.

"It's part of the image, and they're not going to come here without them."

No arrests have been made in the latest shootout.

But yesterday 50 Cent, aka Curtis Jackson, announced he had hired Manhattan celebrity attorney Ben Brafman, perhaps best-known for winning a gun-case acquittal for rapper Sean (P. Diddy) Combs.

"It makes perfect sense forMr. Jackson to have experienced defense counsel by hisside ... despite the fact that Mr. Jackson had nothing to dowith the incident," Brafman said in a statement.

A Hot 97 spokesman said the broadcaster's lawyers were reviewing the union's letter and had no comment.

The dispute is just the latest fallout from last week's gunplay. The duel prompted the Rev. Al Sharpton to call for radio stations to impose a 90-day ban on rappers who resort to violence. At a press conference yesterday, Sharpton said the nation's top three broadcasters, including Hot 97's parent company, have agreed to meet with him.

"It is one thing to rap a lyric," he said. "It is another thing ... where we are getting used to people being shot and act like there is nothing wrong with it."

Originally published on March 9, 2005

Posted by: respect at March 10, 2005 1:26 PM

These so called fights are no different than religious wars. The only solution is to have a unified front.

Posted by: The Sp1200 at March 10, 2005 6:05 PM

ASK the Bush administration to censor hiphop? Who slipped Sharpton the neocon kool-aid?

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