December 13, 2006

On Hip-Hop's Bad Year at the Grammys




Everyone (meaning O-Dub, Eskay and the LA Times) is talking about how hip-hop is missing from the major Grammy categories for the first time in six years. But if you look at the psychology of the Grammy voter it's easy to understand how this happened.

The people at NARAS can't just elevate any old rapper. They're only comfortable with honoring hip-hop they can rationalize as being "special." Something with a twist that makes it more "artistic" and innovative, more substantial and respectable than all that other stuff.

Usually this means they sift through the bestselling rap albums, and find the one that had the most singing and the least rapping on it (see Lauryn, Andre 3000). If they have to grant "special" status to rappers who actually rapped, they need some other angle that makes the artist Uniquely Relevant, and then the rapping rappers usually get many nominations but few awards (see Kanye, Eminem).

But for whatever reason, 2006 was simply a slow year for "special" hip-hop. With Game, Jay, Nas and Snoop all dropping after the deadline, TI is the only rapper with enough sales to be in the running. And for the Grammy voter there is simply no way to rationalize TI as more than just some guy rapping over a beat. Does this mean it's time to panic about hip-hop losing its pop cred? Not hardly. It just means we didn't throw in enough guitar strumming this year, and forgot to tell interviewers how we've been listening to the Beatles.

(And just to prove my point, there were two hip-hoppers that played this role perfectly in 2006.. in fact they played it so well everybody must have forgotten they were hip-hoppers, since nobody has acknowledged that some cats named Ceelo and Dangermouse are up for Record and Album of the Year. This does puzzle me a bit, since I'm not sure what makes "Crazy" any less hip-hop than "Hey Ya." Maybe it goes to show that our perception of genre boundaries is as much about an artist's marketing and branding as it is the sound of their music?)

Posted by jsmooth995 at December 13, 2006 2:07 PM
Comments

To be honest, I've categorised "Gnarls Barkley" as funk myself. It just felt that way much more than it felt hip-hop.

Posted by: Martin Wisse at December 13, 2006 4:34 PM

I'm so glad you're back :o).

Posted by: Still Love at December 13, 2006 6:08 PM

I got some input, but I wanna wait to see if anybody else is gonna chime in.

-Black People

Posted by: Black People at December 13, 2006 8:27 PM

I can't stand "Crazy," and who gives a fuck about a goddamn Grammy.

Posted by: Nesta at December 13, 2006 9:14 PM

Is this the Nesta, from the Angieee-era Okayplayer boards??

Posted by: Jay Smooth at December 13, 2006 9:50 PM

well ummmm.... how can i put this?
does it really matter how many awards hip hop wins? that cheapens it just as much as the money does. beats dont matter any more its all about your hook and vocals of some chick on the track to the people at the grammys.
honestly does it make an album "less" hip hop if the folks at the grammys dont think it is?
hip hop is self expression.... somewhere down the line people forgot that.

Posted by: trusouth at December 14, 2006 12:04 AM

Gnarls Barkley is not a hip hop act.
Hey Ya is not a hip hop track.

Interesting point about the need for hip hop acts to be special to get a Grammy. No doubt I'll be thinking about that in the future.

Posted by: Clyde Smith at December 14, 2006 2:55 AM

There's been a lot of good music this year; but like you said, much of it came after the deadline such as Jay-Z's Kingdom Come. On a sidenote, has anyone heard about Jay-Z's new protegee, Lady Sovereign? She's pretty good; JayZ and Missy Elliot think highly of her; I have a blog on her here: http://sovblog.blogspot.com/ .

Posted by: Jagrmeister at December 14, 2006 3:10 AM

Yo, the poster above took the words right outta of my mouth.

All I was gonna say was who gives a fuck about a goddammed grammy?

'Cept I was gon' quote Chuck D.

I really don't think we need statues to tells us how nice we are (Phife). I mean, I don't know if that weakens the muse in someone who creates anyway.

I know, for one, hiphop does not need mainstream validation.

The oscars aren't like that.

The difference between the grammy's and the oscars is that the award is based on artistic creativity. while grammys reward commercial success.

The tentpole summer blockbuster isn't gonna snag the best pic award it's gonna be some little known fall release made and performed from the heart.

Perhaps there will be a new musical awards show created to fill that void.

Lately, I've been buggin out at how the daytime radio dudes spin the urban pop stuff and I had to kinda remeber that "wait, back in the day, ain't no halfsteppin never was played on a radio when it was light outside."

It was always the late night shows. Guy or some Al B. Sure or something was on in the daytime.

I look at all of the subgenres of rock: grunge, metal, etc. And I feel like that's kinda cool they all recognize and acknowledge the distinctions between each.

Hip hop is a subgenre of urban music. It ain't really a daytime play this on the radio feed it to the nation type of thing.

It's for the discerning listerner.

I'm sure there is a rock counterpart.

The thing about this that I love is that there is really only room for one black guy.

So they gotta squeeze every characteristic into the one black guy that they let in.

And it has to be convenient to reinforce the things they poke fun at. Like a Shaniqua or a Raheem.

There's no such thing as soul brother, or the black guy who likes to rock out to al kooper and bloomfield or the black guy who might rock clothes that are his size. no complexities allowed.

If you're in your twenty's we need you to be like 50 cent or lil wayne. We like those guys.

that's how they think.

it's like portraying all white dudes like AFI or green day.

So as far as they're concerned there can be no premium hip hop.

it's only one kinda music to them. the urban pop that they allowed on the radio.

that's why that line sums this up so clearly:

who gives a fuck about a goddammed grammy?
(my posse's in effect/we got flava, terminator...)


But the only reason I wrote all that is because I have burning off topic question to ask: Has anyone here seen What The Bleep Do We Know? (normal or quantum edition?)

-Black People

Posted by: Black People at December 14, 2006 3:38 AM

"Is this the Nesta, from the Angieee-era Okayplayer boards??"

Oh Jesus...I remember back in the day a bunch of cats in rec.music.hip-hop thought I was the same as some Nesta on Okayplayer (and wondered why I seemed so much nicer over there). I don't know who that is (besides a name-biter!) I think I posted in okayplayer only a couple times, many many years ago. Sorry to disappoint.

Posted by: Nesta at December 16, 2006 11:31 PM

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