July 9, 2007

When They Reminisce Over Mixtapes




I miss mixtapes. I miss the bad cover art and the slim cases. I miss how cheap they are, I miss the shouting and gunshots peppered throughout otherwise listenable tracks, and I miss having to hunt them down, going in and out of stores that still advertise "Pagers", having no clue which ones they'll have or if they'll even have any. I even miss the anonymous rappers that often show up on an otherwise good track and ruin it by rhyming the end of each line with the same word. Who is to blame for the hole in my heart formerly occupied by mixtapes? We all know the answer to that one.

It's been about six months since the RIAA's "raid" of DJ Drama's offices and unlike so many other, equally pointless, stupidly "symbolic" governmental actions, this one seems to have worked. As mixtape spots slowly dried-up, I felt shocked. I was reminded of a joke my (now deceased) friend made, after hours of trying to find a dependable weed-connect: "Did the government really win the war on drugs? What's going on here?" There really aren't mixtapes?! What's going on here?

Although I bemoan the absence of mixtapes, it is ultimately, a situation where reason beats-out my fandom and sympathies: "Okay RIAA, fair enough, you did it in the wrong way and it was poorly executed and has weird, racist undertones but yeah, it isn't exactly legal for anyone to rap over the 'Daytona 500' beat without permission and then sell it…" Nevertheless, there are about a million problems with the mixtape "crackdown".

First, it is hardly a "crackdown"; the absence of mixtapes comes out of a fear of government enforcement not actual government enforcement. Second, the "crackdown" has accomplished very little in the way of helping album sales and legal downloads, which is what mixtapes were supposedly affecting. Third, there is the phenomenon of mixtapes being fairly absent from small stores and street-corners but still, to some degree, available through many corporate stores and entities.

Around the initial hype of Lil Wayne's weirdy-popular and strangely mediocre mixtape, 'Da Drought 3', a local chainstore in my native Baltimore was selling the mixtape. A search of Amazon.com's Marketplace still reveals many copies for sale. Although Amazon Marketplace only acts as a conduit for sellers and buyers, it is exactly the kind of complicity the RIAA symbolically attacked when they raided DJ Drama. In many F.Y.E and Best Buys, numerous 'Gangsta Grillz' discs among many others, can be found right next to major label albums at a significantly marked-up price.

The mixtapes are generally sold for conventional CD retail prices, meaning somewhere, anywhere, between $11.99 and $17.99. My local mixtape guy never sold me a tape for more than $7.00, making the mark-up hovering somewhere around 100%! It looks like corporate collusion, as the mixtape "crackdown" removed the minor-level mixtape merchant while allowing, the F.Y.Es and Best Buys to continue profiting.

To be fair, the F.Y.E and Best Buys of Baltimore (and I assume all areas) are well-known for selling the rap of hometown artists and in a way, mixtape sales could be seen as an extension of that local loyalty, but why that would matter to the mind-bogglingly out-of-touch RIAA? One would think, from any sort of legal standpoint, the selling of "bootlegs" (which is what the RIAA consider mixtapes) in a large chainstore would be significantly more problematic than the selling of those tapes in small cell-phone accessory stores, street corners, etc.

There is also the issue of who is supplying chainstores with mixtapes. DJ Drama and I assume, most other mixtapers, maintain the story that they do not sell any of their CDs; "for promotional use only", just as the little sticker on the slim case says. While I find that hard to believe, I am more willing to believe that the copies found in chainstores are bootlegs (or technically, bootlegs of bootlegs?) because they aren't in slim cases and the inserts suspiciously look like copies of copies on photo-paper. Doesn't it seem more problematic, that a nationwide store not only sells mixtapes, but bootlegged mixtapes than it does if the guy on the corner, in the locally-owned record store, or at the weekend flea market, is selling the same? I don't see who this mixtape ban helps.

This mixtape pontificating began when I went to New York a few weekends ago and was shocked by the absence of mixtapes there as well. I went to normal spots like Canal Street and a few others but found nothing. Not a poor selection, literally nothing. I doubt this is news to native New Yorkers and perhaps people way more city-savvy than I still know where to get them, but for me this was a total shock. Peeking over five-foot Chinese heads and bobbing and weaving between feet-dragging, mouth-agape tourists taking in the city, I searched for the rack of tapes and listened for rap through crappy speakers, as my general rule of thumb was to just follow that sound and eventually, you'd hit a mixtape merchant. Not this time.

Despondently walking away, it occurred to me that it is now easier to find mixtapes at the mall, in Baltimore, MD, than it is to find them on Canal Street! Explain that one.

This "crackdown" besides creating some even weirder in-between legalities than the ones that already existed, has lessened the overall hype and excitement about new rap music. The mixtape cover pops-up on Nahright or as the heading for bloggers' reviews but we see that cover only as a JPG in a WINRAR file not as the cover to a physical object we hunted-down and purchased.

We click, download, unzip, and load "mixtapes" into Winamp or iTunes and if it's decent, maybe its burned or loaded onto the iPOD but that's about it. The excitement is gone in a music industry that needs any form of excitement it can get. The tapes were always available for download but for dorks like me and many others, downloading it was never enough if I knew, somewhere I could buy a little jewel case, with some goofy artwork, and a sticker that says "For promotional use only" for about $5.00.

Posted by BrandonSoderberg at July 9, 2007 9:33 AM
Comments

Mixtapes spots in Harlem dried up like 2 years ago. I get a suspicious stare whenever I got into my favorite spots looking for the latest CD.

But the effect has been positive. New mixtapes are all over the torrents and P2P networks for free, and there are plenty of bedroom DJs who I never heard of doing mashups and blends better than most of the stuff I peeped on mixtapes before.

And so many new songs leak on the major rap news websites (SOHH, XXL, AHH), podcasts and MySpace pages that I can barely keep up.

Not to mention the bootleg videos mixtape rappers create for YouTube now'days.

The mixtape game is decentralized, thriving, and more creative than ever, thanks to the RIAA. And you still have to dig and hunt, but it's by poking your digital head in on message boards instead of pager spots.

Posted by: Hashim at July 9, 2007 10:48 AM

If people would drop the names of some good new mixes, that would be helpful. It might be a good reference point.

Posted by: eric at July 9, 2007 2:25 PM

Hashim-
Good points. I guess the RIAA has in some way forced the mixtape game to democratize itself. Ironic coming from such a fascist organization! (joke.) At the same time, don't credit the RIAA for musicians',producers', and DJs' web-savvy-ness. The "creativity" is the result of the RIAA's crackdown not "thanks to" them.

However, for me, there's still something more real and fun and exclusive about buying the mixtape. Now that people don't buy music, being able easily download a mixtape or an artists' more "official" release, puts all the music on the same level and in my opinion, will only further hinder artistic motivation.

Even though mixtapes, when they were physical objects were often lackluster, they were still a product and one had to make it listenable for people to buy it. Now that its all just downloadable for free, it makes it, in some ways, matter less.

Posted by: brandonsoderberg at July 9, 2007 4:56 PM

you could look at it this way: RIAA didn't learn from their past and did to the Mixtape scene what they did to Napster -- heavy handedly shut down the main offender when they could've made money and as a result gave birth to numerous decentralized systems that are fast, cheap and out of control.

Posted by: undeadsinatra at July 19, 2007 9:17 PM

Yo, just ran into this dude on a the A-train in NYC an he just started spittin this stuff.

It was like a he laid down this beatbox melody, but it stayed in your head when he started throwing down the song.

Not sure who he is...But it definitely left an impression.

It was like a "mobile mixtape"

Check it out: http://www.thejawz.com/

Posted by: Pete Nice at July 20, 2007 8:10 PM

I definitely agree with your take on the situation. Down here in Florida though I would never know of any crackdown - the tapes are plentiful in the swap shops and so forth, I was there up to a few weeks ago, lemme go check again.

The RIAA has consistently proven that it is detached from reality - mixtapes do not hurt albums sales - crappy music does!

I don't listen to the radio for music anymore, I listen to NPR, otherwise I listen to my music on the internet, afterall there are TONS of radio stations available in iTunes that break way better music than when I am force-fed garbage by ClearChannel.

Posted by: David Mullings at July 21, 2007 9:33 AM

I MSS THE DOO WOP TAPES...MANN THOSE WHERE THE SHIT.ON TAPE TOO.

Posted by: YA BOY HOLLAS at July 25, 2007 9:13 PM

Bring back mixtapes!! Bring them BACK!!

Posted by: Chris at August 5, 2007 8:42 AM

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