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November 23, 2003Eff A Pop Critic?I wonder what Jeff Chang thinks of this piece, especially the props given to Da Capo's Best Music Writing (AKA Best Music White-ing). Almost famous Speaking of not paying attention, I have a new policy of never acknowledging the existence of Touré, as it is bad for my blood pressure. So, no comment on this section. When rock, punk and hip-hop were new, there was a push-and-pull relationship between creators and chroniclers, who compelled, repelled and propelled each other. Bangs and Lou Reed locked horns. Chuck D. and Tate had it out. Nowadays, J.Lo worries about paparazzi, not pundits... Yeah but J Lo is hardly the same type of artist as Lou or Chuck, not really a fair comparison.. in Bangs or Tate's heyday there were plenty of bubble-gum acts who could care less what they wrote. And one could argue that for every J Lo today there are still plenty of artists like Liz Phair, who cares about critics to a degree that borders on frightening. Interesting piece tho, nitpicking aside. Posted by jsmooth995 at November 23, 2003 07:36 PMComments
the article was written by a woman i had to pitch julian to (she didn't respond, either). Posted by: bee at November 23, 2003 08:17 PM I think what is often left out of our critiques of these writers... is that they aren't good writers. The problem is not race or locale (see Simon Reynolds). The problem is not knowledge of music. The problem is that these people are not good writers. Ultimately, I believe a great music writer conveys the spirit of the music. Whether people know that Rakim took the place of Freddy Foxx, or knows the connection between Snoop Dizzogg and the Dizzouble Dizzutch Bus is not as important as giving people something fun to read. This is not politics or economics. We are not debating world peace. This is about entertainment! The irony is that these writers have just about as much creative freedom as the artists they cover. Also, to me it seems, that any music writer who only writes about music is sure to be a hack. 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