March 24, 2004
A Baadasssss Evening with Mario and Melvin Van Peebles
Melvin and Mario Van Peebles, Immortal Technique in background
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Warning: Excessive namedroppery ahead.
I went to a screening tonight for a new movie named "Baadaasssss," that tells the story of Melvin Van Peebles' adventures infiltrating Hollywood with his breakthrough film "Sweet Sweetback's Baadasssss Song," Melvin's son Mario directed the film, and stars as his father.
It was a much more high-brow affair than I expected.. instead of the usual frumpy press people and mid-level execs I found myself sharing a table at a cocktail party with Ken Burns and the junior Van Peebles, who discussed the Jayson Williams case with a Fox News host while waiters in black suits brought us trays of wine and sushi. On my other side were Ed Bradley, Gloria Reuben and Salman Rushdie, telling a gorgeous blonde that he hadn't seen Pirates of the Carribean yet but City of God was Amazing. I was feeling underdressed, and underfamous.
Padma Lakshmi, Ken Burns, Melvin Van Peebles and Salman Rushdie
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Thankfully I found Immortal Technique in the back with his usual t-shirt and camouflage cap, plus a few more hip-hoppers to balance out the celebs and bigwigs. Still a bugged-out scene though, with a squadron of photographers who broke into a frenzy every few minutes as the famous faces walked in.
After we finished our cocktails the Sony folks ushered us into the plush seats of the screening room, where Stanley Crouch and Ken Burns stepped up to introduce the movie. My expectations were not very high as the lights went down, but I must say "Baadasssss" really moved and impressed me. Easily Mario's best work, telling a story so close to his heart must have brought out the best in him.
After the film, Stanley Crouch and Ken Burns came back up for a Q&A with Mario and Melvin. This was the highlight of the evening, the mix of personalities (euphemism for egos?) was great fun to watch. Ken Burns kept cutting Stanley off to praise the film's portrayal of their father-son relationship, stressing how it "transcended all the racial and political themes." Then before Crouch finally got his turn Melvin cracked everyone up saying "wait before we go on, let's give Stanley a drumroll, since he has this big ass bombshell question he's been dying to lay on us."
Mario, Melvin, Stanley Crouch and Ken Burns
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After Mario provided the proper drumroll, Stanley predictably aimed his bombshell squarely at the hip-hop nation, starting out with "well, we are in an era now where Black people are being bombarded with dehumanizing images like never before.." and Melvin cut him off incredulously, asking "what does that mean? did something happen I don't know about??" apparently wondering how today's media climate could possibly be worse in Stanley's eyes than the one their generation grew up with, that made Sweetback so revolutionary and so necessary.
Mario told his dad to let Crouch finish, and Stanley went on "I'm talking about the bad extremes of rap, without dealing with the good extremes, which are far less visible, in the bad extremes we are seeing 50 Cent dying and going up to Pimp Heaven, and you can trace a direct path from Blaxploitation movies (which your work was not a part of) down to what we are seeing now.. so I want to ask, in this movie [the original Sweetback] you were portraying a character very diferent from yourself, what were trying to achieve with that character?"
Melvin talked about being involved in the spoken word scene that led up to hip-hop, which he sees as a broad and diverse form of expression that was severely narrowed as it got co-opted by he mainstream, and Mario agreed. Mario said when they screened this new film in Chicago he spoke with former Black Panther leader Bobby Rush, who said what he loved about Sweetback was how it portrayed a flawed character who learned and evolved, was transported from a "me mentality" to a "we mentality," and the movie's great contribution was making it seem hip to be a revolutionary, through Sweetback's evolution.
Then Mario pointed out that right after Sweetback's success Hollywood took a movie named Shaft, originally meant to star a white actor, and turned it into a Black film that aped all the coolness of Sweetback but none of the substance. Instead of making it look cool to be a revolutionary, Shaft made it look cool to work for The Man.. and right after that came the even more counter-revolutionary Superfly, making it look cool to be a drug dealer. Thus Hollywood co-opted Sweetback by reproducing the "icing on the cake" but abandoning the substance that was at its core. And this, Mario said, is exactly what has happened to hip-hop: as it is increasingly co-opted by the corporate mainstream, it is increasingly reduced to little more than chocolate frosting.
Mario and Melvin were having a great time joking around with each other, and Mario seemed excited to have his friends Ernest Dickerson and Warrington Hudlin in attendance, working them into a lot of his stories. I felt honored and humbled to share this time with two generations of Black cinema pioneers, and especially feeling the love everyone there had for Melvin.
After the Q&A wrapped up I went to shake Mario's hand, waiting behind Immortal Technique and Gene Shalit. Needless to say, Immortal Technique in a cypher with Mario Van Peebles and Gene Shalit is an image I will carry with me always.
A few more pics:
Padma Lakshmi
Stanley, Gloria, Padma and Mario
Tia Texada of "Third Watch" - extra points if you can spot Ed Bradley in the background.
Posted by jsmooth995 at March 24, 2004 05:26 AM
wish i was there. it good they're giving melvin his props while he's still alive to enjoy and appreciate their effort. now they need to name a school or college hall after him.
Posted by: dialect at March 24, 2004 06:24 AM
I'd take Stanley Crouch more seriously if his objection to current hip-hop was not just ideological but a serious objection to the hip-hop aesthetic of post-modern deconstruction. (Plus it doesn't "swing"!)
Sounds like a really cool evening though, man.
Posted by: David at March 24, 2004 12:30 PM
Sorry for a Crouchish, off-topic, question, but you did mention a conversation about Jayson Blair. I have seen at least 4+ interviews with Jayson. The guy actually comes off really really well. His rapport with interviewers is undeniable. I think even Bill O'Reilly was smitten. I'm curious to hear how people have been reacting to the return of Jayson Blair, who will surely ride his infamy to even greater celebrity.
As far as Blaxploitation, I think it is really too bad that such "Us against the Establishment" movies are so rare. I can't think of a single one since Pump Up The Volume.
And on a final note, I think there coulda been a few more photos of Padma. ;)
Posted by: eric at March 24, 2004 03:06 PM
why so many pictures of Padma Lakshmi? Is she your girlfriend?
Posted by: jb at March 24, 2004 06:13 PM
Wow, I had no idea pictures of Padma Lakshmi would be such a contentious issue, lol. I didn't even know who she was until I came home and did some googling.
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Posted by: Belve at March 25, 2004 09:44 AM
Hi,
I guess I am writing because I pass through your site quite a lot even if I am quiet, and you have always been interested in Hong Kong stars... but I am writing becauseof something a little political, I hope you don't mind... thing is my site and all typepad sites have been banned in China.
Another blow to free speech and freedom of information in my country. I just want to pass on the news. It won't be reported in the news media for sure.
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Posted by: Yan at March 25, 2004 12:02 PM
Yan...i actually read about China blocking blogsites from Reuters website...that's awful and here's hoping someone finds a way around that...
Posted by: Damali at March 25, 2004 01:44 PM
Padma is a contentious issue only I guess if you feel assume the pictures were taken b/c Padma is consdiered beautiful by many people and the only purpose of the pictures were to put up pictures of a woman you consider beautiful. plus being a woman of color, objectification can happen. other than that......maybe I am too sensitive
Posted by: jb at March 26, 2004 04:51 PM
Well, objectification can certainly happen to women whether they are of color or not, but honestly I'm not sure what you're getting at here. I put up several pictures of Stanley Crouch in this post, did you assume that was because he is beautiful?
Seriously I don't mean to be dismissive, I want to be open to any criticism, so if you really think there's someting here please keep explaining.. but I don't see how one shot of her out of 6, plus two group shots in which she was one of the group is much of a basis to form such assumptions. Unless you also felt the composition of the shots objectified her somehow? If so please explain.
If you are asking whether she appeared in several of the shots because I thought she was so pretty, for what it's worth the answer is no.. When I took these pics I was trying to be unobtrusive, so I didn't take any unless the professional photographers were already doing do. So I wound up with pictures of whoever posed for them, which was The Van Peebleses, Tia Texada, and Padma, plus the group shots that you see from when folks were talking and the photogs asked them to stop and pose. So I wound up with that one shot of Padma, and she turned up in 2 of the 3 group shots.. So if anything she appeared in the most shots because she did the most schmoozing and posed for the most shots.
Posted by: Jay Smooth at March 26, 2004 09:20 PM
Why was Stanley Crouch's pictures there versus why was Padma's there? You said it wasn't because she was pretty, and so well that answers that I guess. Still the one picture of her posing by herself seemed to be a pic in which she was, well, posing. Posing as a beautiful person is problematic no?
It can seem like our right to be men can include the right to find women attractive, if we're hetero. However do we have a right to put up pictures of women who consider beautiful because they are beautiful? Thats not what you did here by your admission, and so maybe I am wrong and not you. However, posting pictures of women or celebrating women generally for being "beautiful" can be problematic. Like, since I am indian, someone telling me I am "smart" in a certain way is not really liberating, its reifiging instead.
Anyway, be well
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